Notes
Southern Praying Mantis (南螳螂) — the Hakka mantis
On this page
Southern Praying Mantis (南螳螂, Nán tánglán) is a Hakka short-bridge art of close-range infighting — and one of the most commonly misunderstood arts in Chinese martial arts, because of its name.
How it moves
Southern Mantis is pure Hakka short-bridge fighting:
The phoenix-eye fist (鳳眼捶) and clawing, hooking hands at very close range;
Extremely short bridges — sticky, sensing forearm contact, controlling the opponent's bridges and infighting from a tiny distance;
Explosive short "gong" power — sudden whole-body force released over inches;
An upright, compact, narrow-gate frame — almost no kicking, everything decided up close.
It is, in feel, far nearer to Bak Mei and Southern Dragon than to anything from the North.
The branches — legend and dispute
Southern Mantis is really a family of related branches, each with its own legendary origin and an uncertain relationship to the others:
Chow Gar (周家) — the most widespread branch, traced traditionally to Chow Ah-Nam (周亞南, c. 1800) — a legendary founder — and documented through the master Lau Soei, who established it in Guangzhou and Hong Kong.
Chu Gar (朱家) — closely related to Chow Gar (some hold them a single root), attributed to a Ming-loyalist refugee of the imperial Chu (朱) house. The surname is itself the tell: 朱 was the Ming royal surname, so this is the familiar anti-Qing founding myth pattern, not documented descent.
Kwong Sai Jook Lum (江西竹林, "Jiangxi Bamboo Forest") — a temple-attributed branch whose relationship to Chow and Chu Gar is disputed; it spread notably into overseas Chinese communities.
A minor Iron Ox (鐵牛) branch is also named.
See also
The Hakka Short-Bridge Arts — the family it belongs to
Northern Praying Mantis (螳螂拳) — the entirely separate art it is often confused with
Southern Shaolin & the Five Elders — the anti-Qing myth behind the Chu Gar origin
Sources
[1] Southern Praying Mantis, English Wikipedia (en.wikipedia.org/wiki/Southern_Praying_Mantis) — the branches (Chow Gar, Chu Gar, Kwong Sai Jook Lum), the body method, and the distinction from Northern Mantis.
[2] Chow Gar and Kwong Sai Jook Lum lineage associations, and Benjamin Judkins, Kung Fu Tea / Chinese Martial Studies — context on the Hakka mantis traditions and their contested origins.
Details
- Section:
- Notes
- Updated:
- 2026-06-06
More in this section
- The Hakka Short-Bridge Arts (客家拳) — the close-range family
- Bak Mei (白眉) — "White Eyebrow," the explosive short-power art
- Cheung Lai-chuen (張禮泉, 1882–1964) — the maker of modern Bak Mei
- Southern Dragon (龍形) — the floating-and-sinking wave art
- The Fujian Arts (福建) — the crane family and the road to Okinawa
- Fujian White Crane (白鶴拳) — the shaking-power crane art